toris moon picks up a rhythm feel the new school of minimal techno has developed over the years and fuses it with michaels interpretation of techno. &#8232,,pascal feos has remixed >toris moon< and has incorporated a stronger house feel he has also highlighted in his recent released album.&#8232,,&#8232,, the b-side sees the release of an peak time hymn, bold beats, restrained chords that keep making their way to the surface step by step putting a chill on ones skin.

this is the fourth nebraska ep for rush hour. again, a strong 4 tracker. with nebraska summer lasts longer. with minor key memories he delivers four good spirited and uplifting house tracks. >this is the way< is an infectious, building disco groove which climaxes midway through. party time! the other three tracks are also fun loving, playful disco cut ups in true nebraska style that put a smile to any crowd. addictive stuff. nebrakas sound is something we cant get enough of!

2010 album by eminem, produced by dr. dre. (explicit version-ltd.edt.)

phonica records limited offshoot returns with a second 12 inch from the man that kickstarted the label iori. the okinawan producer, whose >galaxy / urge< 12 inch won praise from across the board, has been working prolifically and this is only a brief glimpse of things to come. first up is >spatiotemporal< - a ten and a half techno odyssey towards the deeper echelons of the genre. starting off as a simple drum attern, >spatiotemporal< slowly but steadily builds up, with iori bringing layer after layer of synths proper mid-paced cosmic techno!! its definitely one of those tracks that need to be left to do their work preferably on a loud soundsystem! on the flip, weve secured the remix talents of one of the hottest names in techno at the moment. all the way from cold sweden, skudge have made quite a name for themselves in the last year, with solid releases on their own imprint. their remix of >grit< more than exceeded our expectations. its a masterpiece of stripped down techno that brings to the fore all the parts we like from the original, while taking it in a completely different direction. special artwork by pedro carvalho de almeida.

patterns is building steadily on its already impressive profile and straight after the summer back with a killer. david moleon returns to the label! with patterns 53 still beying highly sought after and being played all over the world, this is the incredible follow-up. 4 banging techno tracks with huge bass and epic synths. true dancefloor techno for the main stage only!

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

eglo records reaches its tenth release, with another acid dripping banger courtesy of west londons funkineven aka stevie j. taking things a little harder than on his previous two records, heart pound jacks its way across the dancefloor, in a collision of chi-town and ldn beat based funk. another space comes even harder, drawing on a touch of early rave and hardcore, its twenty tenà it just went on a journey before it got here. funkineven has been busy of late, remixing for hyperdub recording artist ikonika, darling farah and practicing as part of the fatima live band, who made their debut appearance for deviation at fabric on wednesday, supporting bilal

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

running and releasing on the labels equalized, wax and subsolo, shed managed to become one of the most influential artists in todays techno, house and dubstep genres.
the vinyl version of his new album >the traveller< will be packaged in a luxurious gatefold cover.

get ready for some heavy bass infusion. those who witnessed the infamous audio injection vs. drumcell collaborative 6 hour set at berghain in may could sense the raw and direct path of the uncompromising heavy bass-lines they walk on, yet they possess a subtle sensitivity making this audio experience a physical and mental journey at the same time. with his first ep on electric deluxe, audio injection captured this dark and raw spirit in a perfect way. his tracks move effortlessly from percussive high hat funk to heavy bass-line assault, call it techno coolness. all tracks are dancefloor focused, but contain a healthy dose of weirdness, giving the them longevity while still being functional, spot-on material for the floors typical for electric deluxe releases. the vinyl version of >operation a< is being accompanied by a none other than speedy j himself. the remix has his signature flow, shifting, rich soundscapes layered over a forward bassline sketch. music for minds in dark places.

isomer transition, also known as rj valeo, is producer and live performer from brooklyn, new york. after producing for a many years, his productions caught the attention of the moodgadget label and then pheek from archipel. he has released on both imprints and both were well received and respected, songs in his discography have been featured on both maryanne hobbÆs the breezeblock and magdaÆs fabric compilation. musically, isomer transition wears many hats and he offers race car productions the most avante-garde and futuristic of his repertoire. from the bursting and driving communication breakdown to the playful melodies of yellow orange flowers, all the way to the deep and thoughtful composition of on the verge of a breakdown, isomer transitionÆs expert attention to the most exacting sonic details will be sure to inspire both mind and body

skudge make their machine music the old way. they channel these processes into their heavyweight dub sound. the results seem to be working ... another colossal 12 inch

skudge make their machine music the old way. they channel these processes into their heavyweight dub sound. the results seem to be working ... another colossal 12 inch

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

the loin brothers are long john saliva and dj silvio, two dashing farmers raised on strobe lighting, fuzz guitars and pork spare ribs. this is their second original single and follows on from heavy helmet, the mock & toof remixed single that caught the attention of aeroplane, ewan pearson and ivan smagghe with ivan featuring it on his live at robert johnson mix compilation. on this outing the loins have pruned, mowed, fertilized and watered their way through the studio to create the garden of vargulf. the original takes off with a thumping bass guitar, orchestral string leads, the odd desert wolf howl and a real guitar soloà with a guitar no less.

after appearing on record for the first time as part of cologne tape (magazine 1), barnt now releases his debut on magazine: the ep what is a number, that a man may know it? is a hypnotic and free-floating haze, heavily influenced by the dance floor. few times before has the psychedelic energy of the 1970s been combined with techno house in such an idiosyncratic way.

this is the first release of hugos new imprint goodvibe records. the bright side is the beginning of a new journey for hugo and his siblings, 3 tracks produced by hugo and one fat remix produced by format b:. contrary forces are interconnected and interdependent in the natural world, they give rise to each other in turn. frankie knuckles once made a comparison of house music saying it was like church for people who have fallen from grace and marshall jefferson compared it to old-time religion in the way that people just get happy and screamin. the bright side is a new-time prayer in the way that the fallen just get happy and screaming. enjoy!

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

once again loeb hit you up with a truly unique and wonderful slice of dancefloor strangeness all the way from russia.id10ts (can be pronounced idiots) is a new experimental beats project that features andrei from alexandroid whose >short cuts< was one of the many overlooked masterpieces released on the lo recordings label some years ago, along with pavel who is art director of one of the best clubs in moscow and ilya who according to rolling stone (russian edition) is one of the top 5 guitar players in russia. so a whole heap of talent on one black disc.the original gold room track is an extended mystical meditation with a spoken intro courtesy of the legendary sun ra whose wise words lead you into a new musical world where skewed electronics glide over persistent beats and delicate guitars chime along with harmonic male vocals that recall brian eno, talking heads and maybe tarwater.on the flip the inimitable dj koze does his funky thing like only he can, turning the original into an essential piece of leftfield dance music that s perfect for summer.

for the first time weave music starts some remix excursion of 2 stunning tunee... original version is a state of the art techno track coming along in a reduced and pumping shape. its accompanied by an amazing secret cinemaremix on the flip that also doesnt fail to hit the target in any way. this 12inch is pure energy! finally all of us are seriously confident of having made the right decision, giving m0hs tunes the chance to reach even more electronic music heads this summer by releasing them on vinyl as well

after his highly inspiring releases on detroits mathematicsa, quintessentials (uk) and yore (germany), marcello napoletano is back with another adventure into house music. again his unique way of keeping a detroit / chicago sound freshly alive comes neither from the beloved ghost town nor from windy city - marcello napoletanos source of deep madness is based in lecce, a small countrysided village in italy. from here he spreads his deepness all over the world, representing the 8th outstanding issue of laid records.

our search for real club music gems has led us to hamburg, where a young man and his nord modular has been attracting our attention for quite a while now: benjamin brunn.
at least since his workshop005 release, he has modulated his way straight in our hearts. unlike other artists, he knows how to let his synthesizers speak and tells us little stories, while always searching for new romanticfrequency ranges. so >my heart< tells us a story, from the in-ear adapter straight into the heart.

from californias underground scenes and dicey juke joints, to big stages and international tours, angel city outcasts have come to be known as a unique and imaginative entity that continues to win over fans from allover the world. kicking ass and taking names while shrouded in myth and lore, angel city outcasts is the clint eastwood of rock bands!

pelacha has been focused on her playground project in the past few years, with the support of her friends, she now decides to pursue a project that will round up her musical career: the launch of red sonja records, certainly a very personal way of understanding techno, which has been an obvious part of her career up to this date. this passion now results in two releases. and this is just the beginning... the first release contains pelachas cuts in their purest style, techno without additives, a drum and bass line that absorbs the spotlight, led by a line that sets the synth pace - simple and effective. heiko lauxs interpretation gives this track a german touch, tight bass and a touch of surround development sound pure and highly hypnotic.

after his >true emotions ep< and the marco bailey >muzik<-remix, mb elektronics invited davy dee back to hit us with another slamming release.
starting off with the perfect combination between house and techno: >the yellow screen< twists and turns. make sure to listen all 6 minutes of it because the end is not as you would expect. a splendid remix from kaiserdisco brings a more minimal feel to the track but keep enough of the splendid original version to remain groovy.
the flipside track >sweet violence< has many great sounds, striking bass-lines and gives you that vintage warehouse-techno feeling.
what better way to start your summer!

incl. matthias tanzmann rmx !! maximum impact 12inch on audioflyÆs supernature ! loved by everybody ! audioflys supernature continues its 2010 campaign in style with take control, the brand new single from one of germanys finest ascendant talents in house music, alex niggemann. backed with a remix from the indomitable matthias tanzmann, take controlis niggemanns finest work yet and a testament to the young producers talent for creating fresh, simple, contemporary house music with impeccable dance floor credentials. having forgone much of his life outside of music to hone his craft in the past five years, the berlin-based d³sseldorf-born dj/producer more than deserves his success and its certainly on the way as many of his more established peers line up to tip him as one to watch. buoyant, energetic and bottom heavy take controlbegins with a maurizio-esque, stripped groove which is slowly and steadily built with carefully programmed percussion.

2005 album by the juan maclean. funky electro with lots of soul.

this is a journey into our sound! an album in a reserved spiritual cast, thats complete down to its individual tracks. spin this record any way you please. from a pure jammed out playfulness there grew a sparkling conversation between the winds and those with keys ñ sometimes a rugged funk, others a finely-sensed jazz, and then completely improvised.

swedish brandy productions is proud to present a sweet and deep vinyl sampler of andre zimmas new album entitled the calm & the turbulence part 1. on this release you will find four original mind expanding beat joints from their album and two remixes from sygaire (1/6 of jazzanova) and slope. sygaire brings us a grooving disco/ boogie remix of hope is on the way. the slope mix of time exists in memories takes us further with a hypnotizing deep pumping tech-house dub. simply real music for real people. do not sleep. andre zimma aka slope is made up of daniel paul and dj honesty - both live in berlin. the story begins in 1996, the year in which the urberliner daniel paul bumps into the cologne immigrant honesty during a party at berlins alternative cultural centre tacheles and they decide to join forces on a common music project - slope is born. daniel and honesty then spend countless nights together, nowadays producing a progressive fusion of house, boogie, and techno flavoured with jazz and soul

debut full length by this upcoming producer who so far releases on labels like fat city, rush hour and ramp itself. vinyl edition limited to 400 only!

nice price deal !!! back in zantiago is a live recorded ep, based on marcs current live-act with that he is touring starting in december 2009. using the parts of his past ostwind a1-tracks from 2007 (ex) and 2009 (from zantiago to zaire), marc goes the way straight back to his own tech roots, back to zantiago. big with monika kruse, stephan bodzin, marco bailey, webbha, electric rescue, maxime dangles

incl collection cd with the most popular ostwind tracks and remixes from marc depulse releases. also maxi cd only track included! back in zantiago is a live recorded ep, based on marcs current live-act with that he is touring starting in december 2009. using the parts of his past ostwind a1-tracks from 2007 (ex) and 2009 (from zantiago to zaire), marc goes the way straight back to his own tech roots, back to zantiago. big with monika kruse, stephan bodzin, marco bailey, webbha, electric rescue, maxime dangles

when listening to scsi-9 its quite unavoidable the mind turning apart from the body and flying, fantasizing about unexplored roads and boundaries. once again, anton and maxim are providing a trip within their personal globe, travelling in the terra del fuoco (tierra del fuego), in the southest city of te world, ushuaia. tom turns the wave in an heavy deep stone, surely to become a classic to be hold in the most fond of the genre library. the voice is shaped in the loop and becomes like paraffin, the chords completing the whole, transforming an electronic piece into a classic dance floor track. the second track, chasing shadows, following the first one basic line, fill up the b side with the yapacc remix, not disappointing the expectations and concluding the ep in a classy way, giving voice to monsters and fairies, flowing into or days groove.
support by: someone else, osunlade, oliver klein, dj sneak, patrick zigon, nic fanciulli ...

catz n dogz are back with their second full length artist album on mothership. the follow-up to 2008s >stars of zoo< is a break from convention and a further exploration of genres by this amazing polish duo. hence the new albums title, >escape from zoo< the guys break free from the cage and run wild in a wilderness full of street bass, disco, r&b, deep house, hip-hop and more.
this preview ep is a teaser of two of the tracks from the album especially built for the club. >warsaw by night< is a rough and rugged tech burner that sounds like detroit via poland. and the dirty version adds and extra bit of growl to the equation for those who really want to throw it down.
>i’m the one who’s crazy< is a booming barbecue shaker that mixes elements of hip-hop, soul and house into a low end killer.
the guys have come a long way since their start as the group 3 channels from szczecin, poland and we hope you like these as much as we do.

leena017 witnesses dapayk solo in full bloom and with space to breathe. a-side >berlin bedlam< builds up layers upon layers of synths, paving the way for a break out of melodic charms that arrive. its a cinematic sound scape that could be played at any number of stages over the course of the night. b-side >fawlty< is equally as melodic, but certainly fulfills the role of the calm after the storm. minimal, but with musical flare, its the perfect companion

cellule eat is a 3 particules system, formed by: grifin.. two parisian electronic music activists and a german house meister meet to get cellule eat on its feet and offer a micro-house composition: efficient beats, melodic and bruitistes sampling. after a year of hard work in mainz and paris, keen in avoiding the minimal boulevard, the three guys invite us in a dancing journey. the warm and funky minibar-style house ep froggies wurste kicks off in a brilliant way a new series of great releases!

the mighty d knox graces sect with a second ep, >looking through your eyes<.
>at the beginning< is a journey in the way good techno tracks should be. a low-slung groove forms the foundation as strings build, creating composite chords then descending into darker territory.
>if i never knew you< continues the unique and oh-so-delicately balanced melodic sequences, while >out there< is straight up techno funk of the first order. if these guitar licks dont move ya on the dancefloor, you have problems we cant help you with.
>on my way< is a gift for the more experienced techno dj. tricky beats work to create something like a latin shuffle, rounded off by a sonic mind manifesto vocal.

you probably best know lopazz for the quality, avant-garde club music like >i need ya< & >share my rhythm< hes produced for labels like get physical, cocoon rec. and londons legendary output recordings. lopazz is now back with a fantastic collaboration of the 80s sensation imagination enabled & co-produced by mexican artist beto >betoko< cohen.lopazz & beto met each other for the first time at azurara festival portugal in 2009, beto asked lopazz the same night, on the way to the festival if he wanted to work on the original imagination files with him, as his cousin eliot cohen, one of the worlds leading musicpublishers owns the rights on many international hitrecords. they started working on the files recorded on a huge analog ssl-console and the original 24-track tapes from 1982 at cohens red bus studios in london and it was pure magic! their first track, a remix of imaginations >new dimension< is the a-side on the gpm131. its been the first collaboration of the two producers and its a killertrack requested by many labels. lopazz is currently working on new film-scores for international tv and the next dj t. album. beto cohen is working on his next album and the follow-up with lopazz & imagination.s physical commissioned a subsequent remix 12 inch, featuring epic, forward-thinking versions from now firmly established chilean superstars luciano and ricardo vilallobos

played by: erol alkan, nick warren , hernan cattaneo , christian smith, mark knight, brothers vibe, tocadisco, tom novy, jody wisternoff, alan fitzpatrick !!! labelchief florian meindl: >pada surprised me with his track on the flash circle 2010 compilation >sweat it< already but then he delivered >the match< and i thought: ok thats gonna be my summer tune for 2010!!! that >giorgio moroder< bassline is reinterpreted in such a nice way it just fits perfect. the break is the big surprise for all who cannot hear white noise anymore, everybody was going mad on this one everywhere i played it, its just huge!<

don froths >10.000cc / holiday (dubbed out)< is phonica whites sophomore release and it couldnt be any more different to ioris stripped down dub techno. don froth initially appeared on our radar last year with >foam< û a laidback, dubby disco number that effortlessly got us all in summer mood, practically teleporting us to his native venice ca. forget about such nicetiesà >10.000cc s< is >foams< rowdy sibling. a twisted, bass-heavy stomper of a track, that takes disco, dub-step and punk-funk, spins them in blender and spits out one of the rudest basslines weÆve heard in a while. weare talking big here û even giles peterson is a fan. on the flip >holiday (dubbed out)< returns to more familiar territoryà laidback, dubby disco that instantly brings to mind >foam< without being a carbon copy. its breezy, summery and very organic in an analog sort of way. very limited vinyl pressing of 300 copies û hand stamped and numbered. special artwork by pedro carvalho de almeida

one of those hard working producer team : ajello comes back with another gem on demo-disc label (dedisc004). strictly dance floor business!!side a : æacrosticoÆ unusual fretless bassline, almost jazz territory with live sounded drum and hypnotic synthà though it still holds the funkiness all the way through. side b1 : æjay beesÆ - funky cutting guitar û tropical feeling? these disco sound effects and bass keep the groove till the background noise breakdown come in, wait for the main chorus riff! side b 2 : æwindy discoÆ - percussive intro, white noise effects, funky guitar riff û perfect for the summer

premium edition enthält die maxicd und die 12inch vinyl ... big with someone else, anthony collins, mihalis safras, afrilounge, stephan bodzin , phonique! nayan soukie & fritz windish, born with northern soul, some time in the golden age. steadily digging to find hidden treasures, nuggets have been paving their way the journey is the reward to see if they find hints that may lead straight to the golden chamber where the ultimate music shall lie. follow them deep into the woods if you want to obtain infinite musical fortune and salvation! yeah ?

the mole has been burrowing tunnels in electronic music circles for many years. based in montreal, he became known through releases on matthew jonsons wagon repair, collaborations with the label head and a consequential solo album for them. he performs with 5 turntables no less and appeals as much to the lovers of disco as to lo-fi electronica all the way to straight edged house heads and non-conformist jazz lovers.

have you heard? grandmas doing the bird to the latest rock-breaking teen sensation, the wig-flipping chain & the gang. >(i ve got) privilege< is the latest volume in our international pop underground series of 7 inch 45 rpm records. young and old alike love the beat, the cranked riffs, just the overall vibe! you may, too, as soon as this package slides under your door. ian svenonius and chums have really come up with a winner of a dance task master, a real double-a side plate. chain (o.k., ian) croons on the first side, espousing the joys of being part of the privileged class. then he gets real confused about the relationship between cars and music (isnt it obvious?) on >detroit music<. >(i ve got) privilege< was recorded by calvin johnson at dub narcotic studio here in olympia, wash. breaking all the chains, in the best possible way.

with the release of >free k. loudwiggle< the accumulation of impressions from over the last 2 years has ended. the musical production took about 21 months working in berlin and the circle. during the productionperiod my technical tools and instruments enormously developed making it a very inspiring time to create and arrange rythmics and harmonies.
at a dark night in autumn 2009 i decided to move back from berlin to the circle. back around christmas 2009 the quiet wintermonths took over and re-created the studio in the circle where i was able to sitdown and mixdown the tracks i created over the last 21 months in berlin.
for the first time i decided to give this particular album the unique touch by handmaking all the artwork. every single record has been handstamped both sides, the covers manually printed and put together. all 200 pieces are different and have their own singular identity. now, at the end of june 2010 i can present this big collection of expressions. quagmire ltd is a small platform to release this debutalbum. limited to 200 pieces of triplepack 12 inch including 13 mixes.
love
k. loudwiggle

detroit threads recordings is a loose family of artists housed under mikal smith’s roof. our family delights in invention, respects tradition and has a deep love for the experimental. our ethos is hypnotism, telepathy, and mathematics working as one. we work together to express ourselves so that the way we live may not be lost. the focus of our latest e.p. is the detroit techno militia. the militia was formed to keep detroit’s edge sharp and its’ sound underground. we hope to display their brand of relentless technique that has built for them a loyal following. we are proud to have the militia on our side.

the sound of the new wave band bauhaus seems to make its way into several releases nowadays. &#8232,,we are not talking about samples but the dark romantic feeling of this period.&#8232,,moonbeams track >distance< carries this haunted and ghostly feeling of the 80ies, the chill of cold steel and rooms with little light from candles.&#8232,,sure it would not be a moonbeam track if there were not the spine-tingling melodies which have always been the strength of their music!

after the untimely passing of ben bracket brydon in april 2009, his friends got together to pay tribute to him in the most fitting way possible, by creating a not-for-profit label that showcases some of the incredible music that he made. and what music it is, fierce, interesting and above all, fun with an instantly recognizable production style. check it...